Something might be returned from the void we call memory, the maelstrom of false contexts that nonetheless can familiarize us with them, bestow them with identity and caption them as if with a title printed on a label attached to a wall beside a painting, something like South Stolen Street or Plutocracy Gardens. But for now we have to think a free radical present, though it's highly reactive and has a short lifetime.

Lyn Hejinian

Lola the Interpreter