american plantations and forts |
another head trip |
boy oh boy |
last swim before the poison |
drain. tomorrow we will look at the dead lagoon. |
el campo |
every day i am more convince that people who don't wrestle with nature will never succeed |
the true faith, papa of dogs |
trying to find shapes for feelings |
ghost dance |
he came to think he was a recipe that would never be made in a language being forgotten |
i knew it |
i miss you at night |
i used to say i was waiting on tender hooks. i didn't know how bad it was. |
i suppose i imagined life |
we are as infinite and fragile as the trees |
life is fate, not choice, paul cox says. he says he's lonely, though he's always had a family. he came of a family of hurt. but he was ok with loneliness and had made it an art. |
mistakes may be crucial, the lack of story may be the story |
muse of the lagoon before the drain |
one conquers by perseverance and not by making concessions. vincent |
public broadcasting for idiots |
please paint me in a home |
quite so. i knew it. |
twigs aka runes |
the search for beauty is my only continuity (the sky is everywhere). |
shy pride |
some people are naturally quite lonely. |
sorry, fish, and all the brothers and sisters who depend. |
south end missile site lagoon |
spelling bee of runes |
that particular shaft of light, in the forest, in the tavern, in the bottle, potable, that light, that grief. |
the drinker was always a dreadful optimist who only came to know it long after the last drink. |
the wood eater. |
we are so fragile, even more than trees. |
we cultivate thought rather than children, with small carbon footprints. |
we feel the truth that we are of small account. it pisses us off. |
we must know nothing. each walk we must return to innocence. |
we were not taught to express but to bury |
what he suffered changed him. it didn't make him wiser, or tougher. it turned him inside out. it made him permanently wary |
of people. |
y |
you can go a long time after collapsing knowing collapse is inevitable. |
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