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american plantations and forts |
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another head trip |
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boy oh boy |
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last swim before the poison |
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drain. tomorrow we will look at the dead lagoon. |
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el campo |
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every day i am more convince that people who don't wrestle with nature will never succeed |
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the true faith, papa of dogs |
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trying to find shapes for feelings |
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ghost dance |
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he came to think he was a recipe that would never be made in a language being forgotten |
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i knew it |
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i miss you at night |
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i used to say i was waiting on tender hooks. i didn't know how bad it was. |
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i suppose i imagined life |
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we are as infinite and fragile as the trees |
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life is fate, not choice, paul cox says. he says he's lonely, though he's always had a family. he came of a family of hurt. but he was ok with loneliness and had made it an art. |
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mistakes may be crucial, the lack of story may be the story |
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muse of the lagoon before the drain |
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one conquers by perseverance and not by making concessions. vincent |
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public broadcasting for idiots |
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please paint me in a home |
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quite so. i knew it. |
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twigs aka runes |
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the search for beauty is my only continuity (the sky is everywhere). |
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shy pride |
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some people are naturally quite lonely. |
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sorry, fish, and all the brothers and sisters who depend. |
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south end missile site lagoon |
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spelling bee of runes |
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that particular shaft of light, in the forest, in the tavern, in the bottle, potable, that light, that grief. |
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the drinker was always a dreadful optimist who only came to know it long after the last drink. |
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the wood eater. |
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we are so fragile, even more than trees. |
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we cultivate thought rather than children, with small carbon footprints. |
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we feel the truth that we are of small account. it pisses us off. |
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we must know nothing. each walk we must return to innocence. |
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we were not taught to express but to bury |
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what he suffered changed him. it didn't make him wiser, or tougher. it turned him inside out. it made him permanently wary |
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of people. |
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y |
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you can go a long time after collapsing knowing collapse is inevitable. |
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